Psa 68:1-3 | Clarke | STEP | The psalmist calls upon God to arise, bless his people, and scatter his enemies, ; exhorts them to praise him for has greatness, tenderness, compassion, and judgments, ; describes the grandeur of his march when he went forth in the redemption of his people, , ; how he dispensed his blessings, , ; what he will still continue to do in their behalf, ; the ejects produced by the manifestation of God's majesty, ; he is praised for has goodness, , ; for his judgments, ; he tells in what manner the Divine worship was conducted, ; how God is to be honored, ; all are invited to sing his praises, and extol his greatness, . In the title of this Psalm there is nothing particular to be remarked. It is probable that this Psalm, or a part of it at least, might have been composed by Moses, to be recited when the Israelites journeyed. See ; and that David, on the same model, constructed this Psalm. It might have been sung also in the ceremony of transporting the ark from Kirjath-jearim, to Jerusalem; or from the house of Obed-edom to the tabernacle erected at Sion. I know not how to undertake a comment on this Psalm: it is the most difficult in the whole Psalter; and I cannot help adopting the opinion of Simon De Muis: In hoc Psalmo tot ferme scopuli, tot labyrinthi, quot versus, quot verba. Non immerito crux ingeniorum, et interpretum opprobrium dici potest. "In this Psalm there are as many precipices and labyrinths as there are verses or words. It may not be improperly termed, the torture of critics, and the reproach of commentators." To attempt any thing new on it would be dangerous; and to say what has been so often said would be unsatisfactory. I am truly afraid to fall over one of those precipices, or be endlessly entangled and lost in one of these labyrinths. There are customs here referred to which I do not fully understand; there are words whose meaning I cannot, to my own satisfaction, ascertain; and allusions which are to me inexplicable. Yet of the composition itself I have the highest opinion: it is sublime beyond all comparison; it is constructed with an art truly admirable; it possesses all the dignity of the sacred language; none but David could have composed it; and, at this lapse of time, it would require no small influence of the Spirit that was upon him, to give its true interpretation. I shall subjoin a few notes, chiefly philological; and beg leave to refer the reader to those who have written profusely and laboriously on this sublime Psalm, particularly Venema, Calmet, Dr. Chandler, and the writers in the Critici Sacri. Verse 1 Let God arise - This was sung when the Levites took up the ark upon their shoulders; see (note), and the notes there.

Psalms 68:1-3

Introduction

The psalmist calls upon God to arise, bless his people, and scatter his enemies, Psa 68:1-3; exhorts them to praise him for has greatness, tenderness, compassion, and judgments, Psa 68:4-6; describes the grandeur of his march when he went forth in the redemption of his people, Psa 68:7, Psa 68:8; how he dispensed his blessings, Psa 68:9, Psa 68:10; what he will still continue to do in their behalf, Psa 68:11-13; the ejects produced by the manifestation of God's majesty, Psa 68:14-18; he is praised for has goodness, Psa 68:19, Psa 68:20; for his judgments, Psa 68:21-23; he tells in what manner the Divine worship was conducted, Psa 68:24-27; how God is to be honored, Psa 68:28-31; all are invited to sing his praises, and extol his greatness, Psa 68:32-35.

In the title of this Psalm there is nothing particular to be remarked. It is probable that this Psalm, or a part of it at least, might have been composed by Moses, to be recited when the Israelites journeyed. See Num 10:35; and that David, on the same model, constructed this Psalm. It might have been sung also in the ceremony of transporting the ark from Kirjath-jearim, to Jerusalem; or from the house of Obed-edom to the tabernacle erected at Sion.

I know not how to undertake a comment on this Psalm: it is the most difficult in the whole Psalter; and I cannot help adopting the opinion of Simon De Muis: In hoc Psalmo tot ferme scopuli, tot labyrinthi, quot versus, quot verba. Non immerito crux ingeniorum, et interpretum opprobrium dici potest. "In this Psalm there are as many precipices and labyrinths as there are verses or words. It may not be improperly termed, the torture of critics, and the reproach of commentators." To attempt any thing new on it would be dangerous; and to say what has been so often said would be unsatisfactory. I am truly afraid to fall over one of those precipices, or be endlessly entangled and lost in one of these labyrinths. There are customs here referred to which I do not fully understand; there are words whose meaning I cannot, to my own satisfaction, ascertain; and allusions which are to me inexplicable. Yet of the composition itself I have the highest opinion: it is sublime beyond all comparison; it is constructed with an art truly admirable; it possesses all the dignity of the sacred language; none but David could have composed it; and, at this lapse of time, it would require no small influence of the Spirit that was upon him, to give its true interpretation. I shall subjoin a few notes, chiefly philological; and beg leave to refer the reader to those who have written profusely and laboriously on this sublime Psalm, particularly Venema, Calmet, Dr. Chandler, and the writers in the Critici Sacri.

Verse 1

Let God arise - This was sung when the Levites took up the ark upon their shoulders; see Num 10:35-36 (note), and the notes there.