Daniel 7:7

     7. As Daniel lived under the kingdom of the first beast, and therefore needed not to describe it, and as the second and third are described fully in the second part of the book, the chief emphasis falls on the fourth. Also prophecy most dwells on the end, which is the consummation of the preceding series of events. It is in the fourth that the world power manifests fully its God-opposing nature. Whereas the three former kingdoms were designated respectively, as a lion, bear, and leopard, no particular beast is specified as the image of the fourth; for Rome is so terrible as to be not describable by any one, but combines in itself all that we can imagine inexpressibly fierce in all beasts. Hence thrice (Da 7:7, 19, 23) it is repeated, that the fourth was "diverse from all" the others. The formula of introduction, "I saw in the night visions," occurs here, as at Da 7:2, and again at Da 7:13, thus dividing the whole vision into three parts—the first embracing the three kingdoms, the second the fourth and its overthrow, the third Messiah's kingdom. The first three together take up a few centuries; the fourth, thousands of years. The whole lower half of the image in the second chapter is given to it. And whereas the other kingdoms consist of only one material, this consists of two, iron and clay (on which much stress is laid, Da 2:41-43); the "iron teeth" here allude to one material in the fourth kingdom of the image.

      ten horns—It is with the crisis, rather than the course, of the fourth kingdom that this seventh chapter is mainly concerned. The ten kings (Da 7:24, the "horns" representing power), that is, kingdoms, into which Rome was divided on its incorporation with the Germanic and Slavonic tribes, and again at the Reformation, are thought by many to be here intended. But the variation of the list of the ten, and their ignoring the eastern half of the empire altogether, and the existence of the Papacy before the breaking up of even the Western empire, instead of being the "little horn" springing up after the other ten, are against this view. The Western Roman empire continued till A.D. 731, and the Eastern, till A.D. 1453. The ten kingdoms, therefore, prefigured by the ten "toes" (Da 2:41; compare Re 13:1; 17:12), are the ten kingdoms into which Rome shall be found finally divided when Antichrist shall appear [TREGELLES]. These, probably, are prefigured by the number ten being the prevalent one at the chief turning points of Roman history.

Daniel 7:20

     20. look . . . more stout than . . . fellows—namely, than that of the other horns.

Daniel 8:3

     3. two horns—The "two" ought not to be in italics, as if it were not in the original; for it is expressed by the Hebrew dual. "Horn" in the East is the symbol of power and royalty.

      one . . . higher than . . . other . . . the higher came up last—Persia, which was of little note till Cyrus' time, became then ascendant over Media, the more ancient kingdom. Darius was sixty-two years old (Da 5:31) when he began to reign; during his short reign of two years, being a weak king (Da 6:1-3), the government was almost entirely in Cyrus' hands. Hence HERODOTUS does not mention Darius; but XENOPHON does under the name of Cyaxares II. The "ram" here corresponds to the "bear" (Da 7:5), symbolizing clumsy firmness. The king of Persia wore a jewelled ram's head of gold instead of a diadem, such as are seen on the pillars at Persepolis. Also the Hebrew for "ram" springs from the same root as "Elam," or Persia [NEWTON]. The "one horn higher than the other" answers to the bear "raising itself on one side" (compare Note, see on Da 7:5).

Revelation of John 17:3

     3. the wilderness—Contrast her in Re 12:6, 14, having a place in the wilderness-world, but not a home; a sojourner here, looking for the city to come. Now, on the contrary, she is contented to have her portion in this moral wilderness.

      upon a scarlet . . . beast—The same as in Re 13:1, who there is described as here, "having seven heads and ten horns (therein betraying that he is representative of the dragon, Re 12:3), and upon his heads names (so the oldest manuscripts read) of blasphemy"; compare also Re 17:12-14, below, with Re 19:19, 20, and Re 17:13, 14, 16. Rome, resting on the world power and ruling it by the claim of supremacy, is the chief, though not the exclusive, representative of this symbol. As the dragon is fiery-red, so the beast is blood-red in color; implying its blood-guiltiness, and also deep-dyed sin. The scarlet is also the symbol of kingly authority.

      full—all over; not merely "on his heads," as in Re 13:1, for its opposition to God is now about to develop itself in all its intensity. Under the harlot's superintendence, the world power puts forth blasphemous pretensions worse than in pagan days. So the Pope is placed by the cardinals in God's temple on the altar to sit there, and the cardinals kiss the feet of the Pope. This ceremony is called in Romish writers "the adoration." [Historie de Clerge, Amsterd., 1716; and LETTENBURGH'S Notitia Curiæ Romanæ, 1683, p. 125; HEIDEGGER, Myst. Bab., 1, 511, 514, 537]; a papal coin [Numismata Pontificum, Paris, 1679, p. 5] has the blasphemous legend, "Quem creant, adorant." Kneeling and kissing are the worship meant by John's word nine times used in respect to the rival of God (Greek, "proskunein"). Abomination, too, is the scriptural term for an idol, or any creature worshipped with the homage due to the Creator. Still, there is some check on the God-opposed world power while ridden by the harlot; the consummated Antichrist will be when, having destroyed her, the beast shall be revealed as the concentration and incarnation of all the self-deifying God-opposed principles which have appeared in various forms and degrees heretofore. "The Church has gained outward recognition by leaning on the world power which in its turn uses the Church for its own objects; such is the picture here of Christendom ripe for judgment" [AUBERLEN]. The seven heads in the view of many are the seven successive forms of government of Rome: kings, consuls, dictators, decemvirs, military tribunes, emperors, the German emperors [WORDSWORTH], of whom Napoleon is the successor (Re 17:11). But see the view given, see on Re 17:9, 10, which I prefer. The crowns formerly on the ten horns (Re 13:1) have now disappeared, perhaps an indication that the ten kingdoms into which the Germanic-Slavonic world [the old Roman empire, including the East as well as the West, the two legs of the image with five toes on each, that is, ten in all] is to be divided, will lose their monarchical form in the end [AUBERLEN]; but see Re 17:12, which seems to imply crowned kings.

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